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Shakespeare and the Duke
|
| The Duke's Man: Ellington, Shakespeare, and Jazz Adaptation (pdf) | Terence Hawkes |
| Form and Character in Duke Ellington's and Billy Strayhorn's Such Sweet Thunder (pdf) | Stephen M. Buhler |
| Swingin' Shakespeare From Harlem to Broadway (pdf) | Fran Teague |
Jazz, Shakespeare, and Hybridity: A Script Excerpt from Swingin' the Dream
(pdf) | Alan Corrigan |
| Minstrelsy, Jazz, Rap: Shakespeare, African American Music, and Cultural Legitimation (pdf) | Douglas Lanier |
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Performing Race / Gender in the Old and New South
|
| They Were Always Doing Shakespeare: Southern Actresses and Shakespearean Appropriation (pdf) | Robin Warren |
| The Old and New South: Shakespeare in Margaret Mitchell's Gone With the Wind (pdf) | Darlene Ciraulo |
| Confession; or, the Blind Heart: An Antebellum Othello (pdf) | Christy Desmet |
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Class and Country in the contemporary Southeast
|
| A Way of Life Worth Preserving? Identity, Place, and Commerce in Big Business and the American South (pdf) | Sharon O'Dair |
| Country Matters: Shakespeare and Music in the American South (pdf) | Robert Sawyer |
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Shakespeare Festivals in the American South
|
| "The Sun Looking with a Southward Eye upon Us": Shakespeare in South Florida (pdf) | Kevin Crawford |
| Bard in a Barn: Iconography, Appropriation, and Shakespeare at Winedale (pdf) | Matt Kozusko |
| "NC Shakes": The North Carolina Shakespeare Festival (pdf) | Bethany Sinnott |
| Performing Shakespeare in the Old/New South, or What Happens When Shakespeare Is Your Middle Name (pdf) | Susan Willis |
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Appropriations in Performance
|
| Ophelia, by Douglas Huff (pdf) | (Reviewed by Mark Z. Muggli) |
| Hamlet, Revenge of a King, by Herbert Newsome (pdf) | (Reviewed by Alan F. Hickman) |
|
Book Reviews
|
| Shakespeare's Violated Bodies, by Paschale Aebischer (pdf) | (Reviewed by Rebecca De Haas) |
| Spectacular Shakespeare, edited by Courtney Lehmann and Lisa S. Starks (pdf) | (Reviewed by Scott Reed) |
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Contributors
(pdf)
|
